Small Talk

I’m So Fancy

Victorian Fancies

We’ve got to hand it to the Victorians: they were recycling and reusing a century before the country had heard of Al Gore or Earth Day! Everyday objects like wishbones, spools and nut shells were all given a new life as fanciful, yet functional art objects. All the rage in the 19th century, this crafty trend of turning trash into tiny treasures resulted in Victorian fancies.

While T/m’s  Victorian fancy doll isn’t exactly winning the beauty contest amongst the dolls in our collection, she certainly gets high marks for functionality and being “green.” Her body consists of a wishbone wrapped in muslin and plaid fabric scraps; and her head is painted cork. Her dress is actually intended to be used as a pen wipe, a desktop necessity in the days of the dip or nib ink pens. The tag pinned to her reads, “Once I was a wishbone, And grew upon a hen. Now I am a ‘Spinster,’ Made to wipe your pen.”

Toys for the War Effort

world war ii toy soldiers

During World War II, many Americans got their first taste of recycling by saving and donating household items to support the war effort. Stockings became parachutes; leftover cooking fats were turned into glycerin for gunpowder. From 1942-1945, metal was so scarce and necessary for the war that even the Oscar statues given out at the Academy Awards were made of painted plaster. Kids got involved by marching their toy soldiers to scrap metal collection facilities to be melted down for the war effort. In order to stay in business, toy manufacturers were forced to find different materials for their toys.

One company, Playwood Plastics, survived the metal shortages by making soldiers out of sawdust mixed with a glue-like substance of water and flour. The mixture was stamped into shape and left to dry. The soldiers were then hand-painted. Not as hearty as their metal cousins, many broke apart over time. T/m’s pair retain traces of their original blue paint. The distinctive “P” in a triangle marks them as Playwood Plastics soldiers.

Playful Competition Winners

National Toy Hall of Fame

The ballots have been tallied and the results are in. Congratulations are in order for the newest inductees to the National Toy Hall of Fame: bubbles, the Rubik’s Cube, and little green army men everywhere!

No one knows when bubbles first floated into the world, but images of children playing with them first appear in 17th century Flemish paintings. Today there are a ton of different bubble makers on the market accounting for the purchase of more than 200 million bottles annually!

Little green army men first marched into our hearts in 1938. Younger siblings of metal and lead toy soldiers, these two to four inches of molded plastic represent mid-20th century United States military. Still produced in the millions by multiple manufacturers, these little guys continue to advance into children’s imaginations and toy boxes, and have even landed co-starring roles in the Toy Story films.

Last but not least, the colorful and ever-puzzling Rubik’s Cube was inducted during its 40th anniversary year. Congratulations to all the winners! Don’t worry if your favorite toy didn’t get in; there’s always next year.

Photo: Courtesy of The Strong, Rochester, New York.

Keep an Even Tempera-ment

Lee Ann Chellis-Wessel egg tempera

Topping the list of frequently asked questions about our miniature collection is, “how did they make that?!” In the summer of 2012, miniature painter Lee Ann Chellis-Wessel came to Kansas City as the museum’s first artist in residence. During her time with us, she revealed some of the secrets of painting with egg tempera in miniature (after all, like magicians, miniaturists never reveal all of their secrets.)

Surprisingly, many of the techniques involved in miniature egg tempera painting are the same as they are in full-scale. Pigments are mixed with an egg solution and are then dabbed onto a ceramic painter’s palette. Water is added to the tempera to give a range of values to the paint. The real magic happens when Chellis-Wessel uses a very fine paint brush and a steady hand to apply the paint to the board. Cross-hatching and overlaying of different paint colors give the miniature work the rich tones found in the Renaissance originals. The paintings depicted here illustrate Chellis-Wessel’s steps in reaching painted perfection.

Our Skeleton Can Dance

lloyd mccaffery

Miniature artist Lloyd McCaffery began building ship models as a twelve-year-old. And he never stopped! Trained as an artist and sculptor, he uses jeweler’s tweezers, and numerous miniature versions of planes, chisels, and custom made knives to craft his fine-scale ship models.

Like many fine-scale miniature artists, McCaffery found inspiration in a museum, though not a history or art museum but the Denver Museum of Nature and Science. While looking at the suspended skeleton of a dinosaur, McCaffery realized the similarities between the spine and ribs of a skeleton and the keel and frames of a ship. Articulation was one of the first skeletons, human or animal, which McCaffery carved. And this skeleton can dance! Each bone, or set of bones, is crafted separately out of boxwood and joined with bamboo tenons or pegs. The 1:12 scale Articulation is joined in the T/m collection by another McCaffery skeleton, a velociraptor.

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