Small Talk

Look, She’s Walking!

Autoperipetekos

We’re guessing no Victorian child (or adult for that matter) probably called this doll by her proper name: Autoperipatetikos. This mouthful of a name is actually Greek for “self-walker” or “walking about by itself.” And walk she does! Ok, well maybe it’s more like a jerky scooting motion

Patented in 1862 by Enoch Rice Morrison, this china head doll is among the first walking dolls in American history. Previous examples of walking dolls existed, but they usually had to be supported by a string, wooden baby walker, or were guided. Mr. Morrison was able to solve this issue of balance by giving his doll larger feet with a wide stance, a stiff cone under her dress, and arms made of kid leather to reduce shifting weight. Her pink dress also hides the key-wound clockwork mechanism that allows her feet to move. Like most mechanical toys, the amazing and beautiful Autoperipatetikos is not without some faults, as her original box reads: “If it should stop at any time, turn the feet toward you and see if the inside leg is not caught up against the feet.” Oh dear.

When a House is Not a Home

BostonBeaconHillHouse_LivingRoom

Even the Lilliputians from Gulliver’s Travels would have a difficult time trying to live in this tiny masterpiece. Created in the quarter scale (that’s 1 inch for every 48 inches, or 4 feet!) by miniature artist Frank Matter, the Boston Beacon Hill House was a collaborative effort between Matter and Claire Bagley Hammons, who commissioned the piece. Hammons enlisted Matter’s talents to bring to life her vision: a house featuring the outstanding architecture of beautiful old New England mansions. Completed in 1958, the forty-eighth scale model, stands at a stately 13 inches high, 12 inches across, and 9 inches deep!

The house was added to the T/m collection in 2008, but like all old homes, it needed a renovation before going on exhibit. Miniature artist William R. Robertson completed the renovation, uncovering more astonishing craftsmanship then we thought a house smaller than a microwave could hold! The house is fully furnished with functioning pieces right down to the china in the breakfront and the reading material in the magazine rack. And like a real home of that era, Robertson even found himself treating for asbestos during the renovation! Robertson also uncovered some mind-boggling, functioning pieces that we’ll explore in future posts. Stay tuned!

Confiscated Toys Liberated Again

Confiscated Toys

It’s every grade school kid’s nightmare: bringing your newest, coolest toy to school to impress your friends only to have it end up in the teacher’s dreaded confiscation drawer. An exhibit on view earlier this year at the V&A Museum of Childhood displayed the captives of this proverbial toy Bastille and explored how exactly they got there. The exhibit, entitled Confiscation Cabinets is the idea of artist and teacher Guy Tarrant whose focus is on the interaction between pupils, play, and resistant behavior.

Tarrant, with the help of other teachers, collected confiscated toys and objects from over 150 different London schools over three decades. Each toy was labeled with the age and sex of the child it was confiscated from along with the year and location. Not surprisingly, some of our favorite classroom distractions were present: troll dolls, plastic creepy crawlies, action figures and play jewelry. However, some of the objects on display were a bit more sinister: aerosol cans used as flamethrowers, air guns, and even a tennis ball turned fire bomb. The display of all the objects together brings back some nostalgia- and perhaps anxiety- for grade school life.

Photo: Confiscation Cabinets © Guy Tarrant

Hay is for Horses

GottschalkStable

The Moritz Gottschalk company produced a lot more than dollhouses; it could be said that they produced every kind of toy structure imaginable, from warehouses, forts, theaters and shops to stables, rooms, and kitchens. Surprisingly, none of the structures are marked with the company’s name. But many clues helped T/m easily identify this Gottschalk stable: a red or blue roof, lithographed paper details, and the creative use and replication of architectural forms in the toy structure.

Just as race tracks and garages filled with four-wheeled vehicles occupy hours of play today, the Red Roof Stable Model No. 4541 was a favorite of boys and girls. Models ranged in size and accessories brought to life all sorts of imaginative play with farm animals and hay carts to haul bailed hay or horses to pull carriages on cobblestone roads. We think it is really neat to see the similarities between this stable and the stables that children can play with today!

Josephine’s Mini Museum

JosephineMuseum

Today, some of our favorite souvenirs come in the form of photographs. Facebook or Instagram albums full of exotic photos illustrate the story of a trip to a far-off place. But, this wasn’t always the case. In the 19th century, photography was still new and handheld cameras weren’t yet synonymous with Hawaiian shirt-clad tourists. Instead, the fashionable things to bring home were artfully crafted souvenirs such as miniature mosaics, diminutive copies of landmarks, and pocket-sized paintings.

We can safely presume that when Josephine Bird was completing finishing school in Florence, Italy, she amassed quite the collection of these souvenirs, many of which found a place in her large dollhouse’s attic (where else do you keep your nicest things!?). Some of the highlights include a soapstone Leaning Tower of Pisa, a print of a Renaissance angel in the style of Fra Angelico with a micromosaic frame, and an alabaster sculpture of the three graces. It’s quite the mini art museum!

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