Small Talk

Seeing Double: Two Georgian Colonial Manors

Seeing Double: Two Georgian Colonial Manors

Self-described as a fanatic for function, authenticity, and detail, it comes as no surprise that William R. Robertson spent five years of full-time work building Twin Manors, two identical houses based on his research of 18th century historical homes from Virginia to Maine. Robertson envisioned the Georgian Colonial structure in 1979 and built a 1:87 scale mock-up to help him design the two, identical 1:12 scale versions. One manor is in the T/m collection and one is in Robertson’s private collection.

Robertson incorporated “the best features” into each of the thirteen rooms in the circa-1760 mansion. For example, the master bedroom’s fireplace mantel was adapted from the library of Gunston Hall (c. 1750, Lorton, Virginia). The Newburyport Room (first floor on the left) was named for its back wall stylized after a wall in the mid-eighteenth-century Dalton Club (Newburyport, Massachusetts). The drawing room combines the designs of Pennsylvania’s Graeme Park (c. 1722 in Horsham) and Woodford Mansion (c. 1756 in Fairmount Park, Philadelphia). And the front doors, with more than 216 pieces each, are replicas of those adorning the Wentworth-Gardner House (Portsmouth, New Hampshire).

As you can imagine, there is a lot more to discover in this miniature manor. Stay tuned!

Through Thick and Tin

Through Thick and Tin

Who doesn’t love fresh frog legs?! This chicken and goose that make up this pull toy sure can’t seem to share! From the mid-19th century until World War I, cheaply mass produced tin toys known as “penny toys” were very popular. In the years following the Great War, however, competition in the market increased and toys became larger and more technologically complex in order to keep children’s attention.

T/m’s circa 1930 Gebruder Einfalt Chicken and Goose Pull Toy is an example of one such company’s transition to larger tin toys. Nuremburg’s Gebruder Einfalt (later Technofix) was founded in 1922 by two brothers, Georg and Johann. While many of Gebruder Einfalt’s early toys were erratic wind-up toys and wheeled pull toys, they eventually found their niche making racecars, trains and other transportation toys that reflected changing technology.

Stitches of the Past

Stitches of the Past

For some toys it can be somewhat easy to uncover their history. Consulting old catalogs, collector books, company histories, and even personal anecdotes from their owners help historians like us at T/m to tell the story of a special toy. For some toys, however, their past is harder to uncover because they were not mass produced and may have been “loved to death.”

An exhibit at the Mingei International Museum explores the storied past of some of America’s most fascinating and mysterious playthings: black dolls. The exhibit showcases over 100 unique handmade African American dolls from the collection of Deborah Neff. The dolls represent a rich handcrafting tradition spanning from 1860 to 1930. Some dolls in the exhibit are also paired with an antique photograph depicting them with their young owners. The dolls on display depict a variety of emotions and give viewers a rare glimpse into the lives of their creators and owners.
Photo: Courtesy Mingei International Museum.

The Thief’s Delight

The Thief’s Delight

File this one under “dream job!” Did you know that the V&A Museum has a Games Designer in Residence? Last October, Sophie George completed six months of research and created an interactive iPad experience to accompany an exhibit. The game is now available to the public in the Apple App Store.

The game, called “Strawberry Thief,” draws inspiration from a textile by the same name. A notable contributor to the British textile revival in the 1800s, William Morris’s wallpaper and textile designs transcended his time. His famous organic, repeating patterns continue to influence designers and artists today. Players and visitors to the museum can use their figure tips to draw and color the fabric’s intricate patterns. When the work is done, the image zooms out revealing the re-worked Morris piece in its entirety.
Photo: Courtesy of the Victoria and Albert Museum. © Sophia George.

Amazing Glazing

Amazing Glazing

Whether you pronouce it “veys” or “vahz,” you’ve got to admin these 1:12 scale vases are really something. Inspired by the traditional Talavera pottery of Puebla, Mexico, these porcelain works were created by Le Chateau Interiors, a company comprised of miniature artists and painters Frank Hanley and Jeffrey Guéno. Although nearly identical, the two vases were actually made several years apart from each other.

The tradition of making Talavera pottery in Puebla dates back to the 16th century when it was introduced by immigrants from Spain. After being molded and fired in a kiln, these ceramic jars, or tibores, received a white layer of tin oxide glaze called estaño, and then the intricate blue design painted on top. During the final kiln firing, both layers of glaze became fused, giving the vases their smooth finish.

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