Small Talk

Annie Horatia’s Dollhouse Dolls

Annie Horatia’s Dollhouse Dolls

While we at The National Museum of Toys and Miniatures own Annie Horatia Jones’s dollhouse, another important aspect of her childhood play lives in her city of origin at the London Metropolitan Archives. In 1886, Annie’s aunt Tamazine Billings gave her ten dolls for her dollhouse. Each doll represented a member of her family and household. Lucky for us, Aunt Tamazine sewed handwritten cloth labels with each family member’s name onto the doll that represented them.

As you would probably guess, the tallest doll is Annie’s father, Sir Horace Jones. However, the fact that the doll is a full two inches taller than the other dolls in the group says more about Victorian attitudes towards personal status within the family then Jones’s height. The Victorian father was the head of the household, thus the extra two inches. The dolls’ clothing is another interesting look back at 19th-century London!

Batter Up!

Batter Up!

Here in Kansas City, we are proud of our connection to the rich history of African-American Baseball and our local Negro Leagues Baseball Museum. With our 2015 World Series Champion Kansas City Royals, we stand on April 15 to honor Jackie Robinson. Robinson played second base for the Negro League’s Kansas City Monarchs before being scouted by the Brooklyn Dodgers to make his major league debut. When Robinson stepped on the field on April 15, 1947, he broke the color barrier in baseball as the first African-American player in the 20th century to play in the major leagues.

Robinson’s fame inspired many toys, including this all composition doll from Allied Grand Manufacturing Company. Based in Brooklyn, New York, Allied specialized in budget-friendly dolls and scored their first homerun with this 13-inch-tall hometown hero. The Robinson doll came with a baseball bat imprinted with Robinson’s signature, a Dodgers uniform, and a baseball cap emblazoned with the letter “B.”

A Portland Toylandia

A Portland Toylandia

It’s not hard to get a sense of the voracious collecting bug Frank Kidd has. Ever since purchasing his first pedal car as an adult in the 1960s, he’s lived under the motto “buy or die” when it comes to collecting antique toys. Kidd’s collection grew so large that he eventually closed his auto parts business and converted the space to display it.

Visitors to this unassuming industrial building-turned-museum in Portland, Oregon will find 20,000 toys on view (a fraction of Kidd’s collection!). A major portion of his toys are cast iron banks. During the machine age, cast iron banks were a great way to use mechanical technology for entertainment while also teaching kids the value of saving money. Unfortunately, many cast iron banks reflected nineteenth-century values on race as well and reinforced negative stereotypes. Kidd’s collection provides a glimpse into the changing world at the turn of the last century, and offers a stark comparison with the ever-diversifying toys of today.
Photo: Kidd’s Toy Museum.

Paintings for Ants

Paintings for Ants

It’s not often that an artist gets to exhibit over 700 of his or her works in a solo gallery show. For Lorraine Loots, this feat was accomplished at Brooklyn, New York’s Three Kings Studio, in part because all of her highly detailed paintings are no larger than 1 inch by 1 inch. The 2015 gallery show, Ants in NYC, was her first international exhibition, which is pretty impressive since she hadn’t intended to become a professional artist.

Loots’s paintings began to take the spotlight back in 2013 with her Paintings for Ants series. She made a commitment to paint one tiny work for one hour per day as a way to stay in touch with her creative side while working a 9 to 5 office job. Not long after posting her work on Instagram, she began amassing followers and receiving numerous requests to purchase her tiny paintings. Today, Loots’s miniature art has been so widely featured that she has committed her work life to painting. Goes to show that sometimes you should quit your day job!
Photo: Lorraine Loots.

Allegory of a Lullaby: The Dreamy Details

Allegory of a Lullaby: The Dreamy Details

Johannes Landman’s miniature Dutch cradle is entitled Allegory of a Lullaby. What exactly is an allegory? We’re glad you asked! In visual art, an allegory uses figures or characters as symbols to illustrate an overall theme, value, or moral. The allegory of Landman’s cradle illustrates themes of childhood.

All four painted panels feature cherubs in a variety of actions: happily dancing, sheltering an infant, and even recoiling in loneliness. The cradle’s headboard panel depicts a muse playing a lullaby that “rocks” the cradle.

Landman is not only a master of painting, but also of miniature woodworking. For this work, he used dogwood from his home province, British Columbia, and added 22 karat gold accents.

Page 5 of 56« First...34567...102030...Last »