Small Talk

Concluding An Art Nouveau Spring

Jardinere with Ruler

Spring turned into summer in the blink of an eye, so it’s time to wrap up our behind-the-scenes look at Linda LaRoche’s jardinière! After researching, sketching, carving, and assembling the pieces, LaRoche was almost finished with her jardinière. She faced one last challenge: it is a planter after all, and the full-scale jardinière has a watertight liner. How could LaRoche create a miniature liner?

The ingenious solution? Old paint tubes! LaRoche cut apart some of her used paint tubes and removed their inner lead liners. She flattened the liners, fitted them to the interior of the jardiniere’s basin, and voila! Every detail of the jardinière, from the precise carvings to the basin’s liner, matched the full-scale piece. After fourteen years of work, the jardinière was finally complete and ready for its place in the Masterpiece Gallery at T/m! We hope you enjoyed this journey through LaRoche’s creative process and are as inspired as we are by her ingenuity and dedication!

Take a Picture, It’ll Last Longer

Simpson Charger

Have you ever gone into an art museum and wished you could take one of the pieces home? While we may take a picture, artist LeeAnn Chellis Wessel decided to take it one step further! With advanced art degrees, Chellis Wessel knew the technical aspects of creating pottery. But it wasn’t until she began creating period appropriate ceramics as gifts to furnish her mother’s miniature Colonial Revival house that she developed a passion for replicating the old masters in one-inch scale.

Chellis Wessel’s miniature artistry thrives from an interest in comparing and contrasting the style, period, form, function, and even geographic origin of the artworks, such as this charger that she reproduced from the collection at The Nelson-Atkins Museum of Art. She enjoys musing about the work’s original home, “I’ve always been really interested in… the historical aspect of what kinds of pieces were appropriate for this type of house, style, and period.”

While The National Museum of Toys and Miniatures is closed for renovation, see this charger and more, along with some of their full-scale counterparts, on view now through February 22, 2015 at The Nelson-Atkins Museum of Art.

Row, Row, Row Your Boat

Mechanical Oarsman

Patented in 1869 by Nathan S. Warner, this mechanical oarsman toy was the first of its kind. Warner worked for a sewing machine manufacturer and used his technical know-how to secure design patents for several clockwork-mechanized toys. The patent allowed E.R. Ives and Company in Bridgeport, Connecticut to produce this mechanized, mustached rower toy, which became a hit among kids and adults alike.

Once the toy is wound up and placed in water, the oarsman’s torso moves back and forth along with his arms, which are attached to the oars. The movement of the oars propels the boat through the water. When the rudder on the back of the boat is turned, the oarsman will row in a circle; when the rudder is straight, he rows in a straight line. Mechanical oarsman toys were manufactured by several other firms as well, so don’t be surprised if you come across some interesting variations. In fact, radio controlled versions are still manufactured today!

“The Finish and Color… is the Magic For Me”

Faux Paint Samples

Originally a maker of full-sized furniture (do you see another theme here?!), James Hastrich became engrossed in miniature making after constructing a 1/12th scale desk for a client. So much so that in 1977 he sold his furniture shop and fully devoted his time to the art of producing Early American painted furniture in fine-scale. Hastrich hand paints all of his pieces using traditional methods and materials.

The artist’s sample box is based on one owned by Moses Eaton, a traveling painter specializing in faux graining and stenciling. Unlike the DIYers with their plastic grocery bag techniques today, the decorative painters of the 18th and 19th century were highly skilled. Eaton’s work adorned the walls of homes along the East Coast between 1800 and 1830. Hastrich replicated Eaton’s wood paint samples using historical methods such as vinegar grainingsmoke graining, and brush stroke graining.

We’re Under Construction

We're Under Construction

After many months of planning and packing, the museum staff have relocated our administrative offices to a temporary location and turned the building over to the construction company for renovations to begin! We offered them all of our toy dump trucks and erector sets; not surprisingly, they declined.

While most of the collection went into storage, we saved several pieces for exhibition down the street at The Nelson-Atkins Museum of Art. Starting July 2, you can catch our world-class objects amongst some of Kansas City’s other great objects. Look closely! A few of T/m’s miniatures are replicas of work in the Nelson-Atkins’s permanent collection.

The staff will be around town too; look for us at Maker Faire this weekend, June 28-29, at Union Station. We’ll see you then!

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