Small Talk

A Portland Toylandia

A Portland Toylandia

It’s not hard to get a sense of the voracious collecting bug Frank Kidd has. Ever since purchasing his first pedal car as an adult in the 1960s, he’s lived under the motto “buy or die” when it comes to collecting antique toys. Kidd’s collection grew so large that he eventually closed his auto parts business and converted the space to display it.

Visitors to this unassuming industrial building-turned-museum in Portland, Oregon will find 20,000 toys on view (a fraction of Kidd’s collection!). A major portion of his toys are cast iron banks. During the machine age, cast iron banks were a great way to use mechanical technology for entertainment while also teaching kids the value of saving money. Unfortunately, many cast iron banks reflected nineteenth-century values on race as well and reinforced negative stereotypes. Kidd’s collection provides a glimpse into the changing world at the turn of the last century, and offers a stark comparison with the ever-diversifying toys of today.
Photo: Kidd’s Toy Museum.

Paintings for Ants

Paintings for Ants

It’s not often that an artist gets to exhibit over 700 of his or her works in a solo gallery show. For Lorraine Loots, this feat was accomplished at Brooklyn, New York’s Three Kings Studio, in part because all of her highly detailed paintings are no larger than 1 inch by 1 inch. The 2015 gallery show, Ants in NYC, was her first international exhibition, which is pretty impressive since she hadn’t intended to become a professional artist.

Loots’s paintings began to take the spotlight back in 2013 with her Paintings for Ants series. She made a commitment to paint one tiny work for one hour per day as a way to stay in touch with her creative side while working a 9 to 5 office job. Not long after posting her work on Instagram, she began amassing followers and receiving numerous requests to purchase her tiny paintings. Today, Loots’s miniature art has been so widely featured that she has committed her work life to painting. Goes to show that sometimes you should quit your day job!
Photo: Lorraine Loots.

Allegory of a Lullaby: The Dreamy Details

Allegory of a Lullaby: The Dreamy Details

Johannes Landman’s miniature Dutch cradle is entitled Allegory of a Lullaby. What exactly is an allegory? We’re glad you asked! In visual art, an allegory uses figures or characters as symbols to illustrate an overall theme, value, or moral. The allegory of Landman’s cradle illustrates themes of childhood.

All four painted panels feature cherubs in a variety of actions: happily dancing, sheltering an infant, and even recoiling in loneliness. The cradle’s headboard panel depicts a muse playing a lullaby that “rocks” the cradle.

Landman is not only a master of painting, but also of miniature woodworking. For this work, he used dogwood from his home province, British Columbia, and added 22 karat gold accents.

Annie Horatia’s Dollhouse Details

Annie Horatia’s Dollhouse Details

While toy furniture could be purchased, little girls like Annie Horatia Jones also enjoyed adding some DIY charm to their dollhouses with a touch of imagination and a pinch of sewing skills. Annie’s finesse with a needle is undeniable in the geometric rugs she made for her rooms. And we love the decoupage paper on the red nursery walls!

Although there are no doors from the hallway to the rooms, that didn’t stop Annie from getting a baby walker, a bed (affectionately coined the “broken heart bed” by T/m staff), a sewing basket, and a water cistern into her house’s rooms.

Cartoons Turned into Paper Dolls

Cartoons Turned into Paper Dolls

T/m’s newest exhibit, Stereotypes to Civil Rights: Black Paper Dolls in America, features work from the first African American female cartoonist: Jackie Ormes. Ormes created playful, often politically charged strips for readers of 15 African American newspapers across the country, including the Chicago Defender and Pittsburgh Courier, from the 1930s to the 1950s. There would not be another nationally syndicated black female cartoonist until the 1990s

Smart, classy, glamorous, bold, and rebellious, Torchy Brown was one of Ormes’ most beloved characters. Torchy first appeared as a Mississippi teen finding fame and fortune as a Cotton Club singer and dancer in the 1937-1938 comic strip Torchy Brown in “Dixie to Harlem.” Torchy reappeared in 1950’s Torchy in Heartbeats as a beautiful, independent woman encountering adventure in a pursuit for her true love.

In addition to creating the first upscale black doll to have a whole line of clothes, Patty Jo from her comic Patty-Jo ‘n’ Ginger, Ormes turned Torchy into a paper doll (bet you can’t guess where you might see it now through August 21, 2016?!). Torchy was so curvaceous that it was rumored servicemen used the paper dolls as pin-ups!
Photo: Torchy Brown Heartbeats, February 3, 1951, Comic Section, Pittsburgh Courier. Courtesy of Nancy Goldstein, www.jackieormes.com.

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