Small Talk / Miniature

When a House is Not a Home

BostonBeaconHillHouse_LivingRoom

Even the Lilliputians from Gulliver’s Travels would have a difficult time trying to live in this tiny masterpiece. Created in the quarter scale (that’s 1 inch for every 48 inches, or 4 feet!) by miniature artist Frank Matter, the Boston Beacon Hill House was a collaborative effort between Matter and Claire Bagley Hammons, who commissioned the piece. Hammons enlisted Matter’s talents to bring to life her vision: a house featuring the outstanding architecture of beautiful old New England mansions. Completed in 1958, the forty-eighth scale model, stands at a stately 13 inches high, 12 inches across, and 9 inches deep!

The house was added to the T/m collection in 2008, but like all old homes, it needed a renovation before going on exhibit. Miniature artist William R. Robertson completed the renovation, uncovering more astonishing craftsmanship then we thought a house smaller than a microwave could hold! The house is fully furnished with functioning pieces right down to the china in the breakfront and the reading material in the magazine rack. And like a real home of that era, Robertson even found himself treating for asbestos during the renovation! Robertson also uncovered some mind-boggling, functioning pieces that we’ll explore in future posts. Stay tuned!

The Magic of Color and Finish… On The Walls?

Hastrich Chest and Faux Paint Samples

While we may have gotten a time out for coloring on the walls and furniture, James Hastrich pays homage to his early-American predecessors by doing just that with each of his miniature creations. He modeled his artist’s sample box after one owned by 19th century stenciling master Moses Eaton.

These traveling artists, known as itinerant painters, journeyed from town to town with their sample box, showcasing their skills to potential patrons. In return for food and lodging, these artists painted furniture (such as this chest in the style of Rufus Porter’s folk art landscapes), walls, and even floors with stenciled patterns inspired by wallpaper—which was too expensive for many families before the Industrial Revolution standardized mass production and reduced costs.

Today, some lucky New England homeowners are still discovering original stenciled patterns beneath layers of wallpaper. Maybe someday we’ll find hidden designs in one of our miniature room settings.

Master Miniature Craftsman

Boston Beacon Hill Rooms

Frank L. Matter (1891 – 1979) was one of the forefathers of the current miniature artist movement. A WWI veteran and commercial artist for 25 years, Matter originally began making miniatures for fun. Following the lead of a fellow craftsman, he published an announcement seeking commissions. His first order came from Jack Norworth, famous vaudeville and stage star and composer, most famously known for a song sang almost every day throughout the summer: “Take Me Out to the Ball Game.” Matter completed a book of 24 watercolors for Norworth. The leather-bound, hand-stitched book was 1″ by 1 ¾” in size and the pictures themselves measured ½” to 5/8″!

During his miniature career, Matter worked in just about every medium, from paint to wood to silver, creating masterpieces in both the 1:12 scale (one inch equals one foot) and 1:48 scale (one inch equals four feet). His unique creations included furniture, china, musical instruments, toys, shoes, guns, smoking pipes, and clocks.

Matter’s greatest challenge was the Boston Beacon Hill House built for Claire Bagley Hammons of Seattle. Done in the 1:48 scale, he created almost every item in the house! A labor of love, the house took over four years to create. It currently takes up just a little bit of space in the collection at T/m.

Concluding An Art Nouveau Spring

Jardinere with Ruler

Spring turned into summer in the blink of an eye, so it’s time to wrap up our behind-the-scenes look at Linda LaRoche’s jardinière! After researching, sketching, carving, and assembling the pieces, LaRoche was almost finished with her jardinière. She faced one last challenge: it is a planter after all, and the full-scale jardinière has a watertight liner. How could LaRoche create a miniature liner?

The ingenious solution? Old paint tubes! LaRoche cut apart some of her used paint tubes and removed their inner lead liners. She flattened the liners, fitted them to the interior of the jardiniere’s basin, and voila! Every detail of the jardinière, from the precise carvings to the basin’s liner, matched the full-scale piece. After fourteen years of work, the jardinière was finally complete and ready for its place in the Masterpiece Gallery at T/m! We hope you enjoyed this journey through LaRoche’s creative process and are as inspired as we are by her ingenuity and dedication!

Take a Picture, It’ll Last Longer

Simpson Charger

Have you ever gone into an art museum and wished you could take one of the pieces home? While we may take a picture, artist LeeAnn Chellis Wessel decided to take it one step further! With advanced art degrees, Chellis Wessel knew the technical aspects of creating pottery. But it wasn’t until she began creating period appropriate ceramics as gifts to furnish her mother’s miniature Colonial Revival house that she developed a passion for replicating the old masters in one-inch scale.

Chellis Wessel’s miniature artistry thrives from an interest in comparing and contrasting the style, period, form, function, and even geographic origin of the artworks, such as this charger that she reproduced from the collection at The Nelson-Atkins Museum of Art. She enjoys musing about the work’s original home, “I’ve always been really interested in… the historical aspect of what kinds of pieces were appropriate for this type of house, style, and period.”

While The National Museum of Toys and Miniatures is closed for renovation, see this charger and more, along with some of their full-scale counterparts, on view now through February 22, 2015 at The Nelson-Atkins Museum of Art.

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