Small Talk / Miniature

An Artful Tradition

lee ann chellis wessel egg tempera

Like last year, we’re going to take a look at a work by Lee-Ann Chellis Wessel that commemorates the holiday season. Although her miniature version of The Virgin and Child by Italian painter Lippo Memmi was created nearly 700 years after his, Chellis Wessel has stayed true to the original media: egg tempera with gold leaf on a panel. Memmi’s trademark lacy halos and flattened gold patterns and trim within Mary’s robe all carry an intricate amount of tiny detail. We wonder how Chellis Wessel must have felt replicating those details in fine-scale miniature!

As a special treat this year, Chellis Wessel’s version is on display at The Nelson-Atkins Museum of Art next to the original work that served as her inspiration. Visitors can view it as well as others scattered throughout the Nelson-Atkins’ galleries as part of the exhibit, Highlights from the Collection of The National Museum of Toys and Miniatures on view now through February 22, 2015.

Dashing Through the Snow

carol hardy miniatures

It’s the time of year for wintery carriage rides and festive carols! Written in 1857, “Jingle Bells,” one of the most popular songs of all time was, originally titled “The One Horse Open Sleigh.” It’s been sung the world over, and was even the first song performed in outer space. We like to think that this miniature Victorian sleigh is the one from the famous carol.

Artist Carol Hardy steam-bent pieces of wood to create the graceful curves of the runners and dash. The leg supports were fashioned from gleaming German silver. The sleigh’s body consists of black-painted cherry wood and the seats are upholstered in luxurious burgundy suede. Oh, what fun it would be to ride in this miniature open sleigh!

Renaissance Woman

lee ann chellis wessel ceramics

A large portion of Lee-Ann Chellis Wessel’s work focuses on re-creating Renaissance masterpieces in miniature. Like a modern day Renaissance woman, Chellis Wessel not only excels at painting miniature renditions of egg tempera masterworks like this version of Domenico Ghirlandaio’s Giovanna degli Albizzi Tornabuoni, but also Renaissance period maiolica (or majolica or mayólica, depending on where it’s from) ceramics.

Much like her egg tempera work, Chellis Wessel’s miniature maiolica is made using the same process as full-scale pottery. First created in the ancient Middle East, maiolica  is made by covering a clay vessel with a white glaze that has been made opaque by the addition of tin. The white glaze provides a blank canvas for the metallic oxide designs that are layered on top and become fused to the background during the firing process. The results are the same whether in full-scale or fine-scale miniature: a beautiful multicolored piece of pottery.

A spot of tea, literally!

anchor jensen seattle

Here at T/m we’re continually amazed by the ‘little’ details found in every nook and corner of the Boston Beacon Hill House. This picture of the Paul Revere oval fluted teapot really demonstrates the scale of this ¼” miniature.

Designed and crafted by Seattle jeweler Anchor Jenson, the teapot features engravings, a hollow spout, and hinged lid. Smaller than a pencil eraser, the teapot is accompanied by a sugar and creamer which are comparable in size to grains of rice. Now that’s small! And lest you forget, like other miniatures, this functions exactly like it’s full size counterpart. However, silver is too small to polish, so this one is made out of white gold. A spot of tea anyone?

A Game of Perfection

miniature chippendale furniture

In 18th century America, games and gambling were all the rage. This miniature game table, based off a c. 1770s Philadelphia Chippendale table, would have been perfect for tiny card games! Less than four inches tall, the table’s base was hand-carved by Wm. R. Robertson. The base, shaped from Swiss pear wood, features delicately curving ball-and-claw legs that support the functioning tilt-top surface.

Robertson’s mother, Esther Robertson, created the petit point stitched surface. Based on an Italian tapestry design, the tabletop consists of 33,000 stitches in 41 colors of silk thread. It took her three months to complete the design; when it was finished, she gave it to her son, who painstakingly attached it to the table. Esther Robertson was so nervous something would go wrong during the attachment process that she had to leave the house! Of course, the finished piece turned out beautifully, and the miniature game table is a testament to the amazing design and craftsmanship that goes into making a miniature.

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