Small Talk / Miniature

“The Finish and Color… is the Magic For Me”

Faux Paint Samples

Originally a maker of full-sized furniture (do you see another theme here?!), James Hastrich became engrossed in miniature making after constructing a 1/12th scale desk for a client. So much so that in 1977 he sold his furniture shop and fully devoted his time to the art of producing Early American painted furniture in fine-scale. Hastrich hand paints all of his pieces using traditional methods and materials.

The artist’s sample box is based on one owned by Moses Eaton, a traveling painter specializing in faux graining and stenciling. Unlike the DIYers with their plastic grocery bag techniques today, the decorative painters of the 18th and 19th century were highly skilled. Eaton’s work adorned the walls of homes along the East Coast between 1800 and 1830. Hastrich replicated Eaton’s wood paint samples using historical methods such as vinegar grainingsmoke graining, and brush stroke graining.

Under a Magnifying Glass

Goddard-Townsend Secretary

While we wish that we could walk into The Metropolitan Museum of Art to measure, study, and photograph a 200-year-old secretary, we aren’t all fortunate enough to be miniature artists. For Paul Runyon, this was just the first step in crafting a miniature version of the Goddard-Townsend block and shell desk and bookcase. Made by the Goddards and Townsends, two intermarried 18th century Rhode Island furniture-making families, the desk gets its name from the raised blocks and carved shells on its surface.

Runyon was so particular that he was known to discard his plans for a miniature if he couldn’t make every single part in exact 1/12th scale. He worked under a magnifying glass to assemble the secretary because some of the pieces are as thin as .028 (or 7/250th) of an inch. It took him almost a year to complete this extraordinary work of art.

Assembling an Art Nouveau Spring

Jardinere PiecingTogether

After researching the full-scale jardinière, sketching the designs, and carving the base for the fine-scale miniature, artist Linda LaRoche created the basin of the jardinière by hollowing and carving blocks of plum wood to shape the sides. The next challenge was creating the delicate animals, people, and foliage that decorate the curved walls of the container.

Using a method known as marquetry, LaRoche sketched the design onto the basin’s wooden surface and then traced a copy of the design onto paper. LaRoche placed the paper copy over thin pieces of wood called veneer in order to carve an outline of the design into the wood. This process left LaRoche with hundreds of tiny pieces of carved wood that perfectly matched the original sketch. Now for the fun part! LaRoche had an intricate jigsaw puzzle to complete; she assembled the tiny veneer pieces over the sketched design on the basin’s surface. One side of the basin’s design consists of over 150 tiny pieces of wood; each was individually laid and glued on the surface, taking LaRoche two and a half years (out of the fourteen needed for the entire piece) to complete.

Happy or Haunted?

Versailles_MulvaneyRogers

Heraclitus, a Greek philosopher who lived from 535-475 BC got it right: the only thing constant is change. Whether bustling with people or sparsely populated (or even abandoned), places change: Paris  looks much different than it did 100 years ago; Colorado isn’t the same place it was in 1870. Although they are recreating an existing piece, when miniature artists begin a new project they get to determine the atmosphere: is it 1472 with the original occupants in residence or is it the present day? Is the sun shining at high noon or preparing to set for the evening?

Harry Smith, and Kevin Mulvany and Susie Rogers have two very different interpretations of the Palace of Versailles. Smith’s Louis XV study appears as though King Louis XV just stepped out for an afternoon stroll in the delightful gardens. Mulvany and Rogers’s deserted garden pavilion in a long-ago abandoned Versailles is filled with clouded glass, tattered remnants of history, and a foreboding sense of better days gone by. The artists used artistic details to convey two very different, but very wonderful, atmospheres! The artists used artistic details to convey two very different, but very wonderful, atmospheres!

Photo courtesy of Mulvany and Rogers.

The Ghosts of Versailles

Ghosts of Versailles

Miniature artists are in the business of re-creation. Kevin Mulvany and Susie Rogers re-create historically significant European and North American buildings and their interiors. But they aren’t just in the business of re-creating walls, moldings, and mortise and tenon joints; they aim to recreate atmosphere. And when you’re talking about buildings and interiors that are hundreds of years old, the atmosphere choices are endless. Mulvany and Rogers design their interiors to feel as though someone—or some  ghost—has just left the room.

With the help of young filmmakers Max Mulvany and Sam Vincent of Surrealist Studios, the miniature artists brought to life their deserted Versailles garden pavilion to explore the effects of the slow, relentless passage of time on a once grand building. Check out The Ghosts of Versailles.

Page 3 of 712345...Last »