Small Talk / Miniature

A Bitty Baby House

miniature baby house

Contrary to what the name might lead you to believe, this 1:12 scale miniature isn’t actually meant to represent a “house for babies.” The term baby house refers to 17th and 18th-century dollhouses, typically in the Netherlands and England. This early type of dollhouse was usually a wooden cabinet on legs, with compartments decorated and furnished like a miniature estate.

This Baby House was constructed by artist Gilbert Mena. It features turned legs and finials and two functional doors decorated with one-point perspective marquetry scenes. The rooms within the baby house were made by artist Nell Corkin, who had the task of miniaturizing furnishings that would have been already tiny in full-scale! If you look closely, you’ll find diminutive delftware, two neatly made beds, and even a dollhouse pet resting on a pillow.

From Whittling to Wood Carving: Tudor Furniture

Tudor Furniture

In addition to the beautiful wood carvings adorning this Tudor bedroom’s walls and ceiling, Thomas Warner crafted the furniture. The chairs with crossed legs and the four-poster bed’s ornate details are carved out of walnut. The bible stand, or prie-dieu, is also intricately carved with a cross and features a slanted and hinged top.

Additional miniature artists lent their skills to furnish the room with rich textiles: needlework from Annelle Ferguson, upholstery by Frank Hanley and Jeffery Gueno (of Le Chateau Interiors), and an embroidery frame and gold jewel box by William R. Robertson.

From Whittling to Wood Carving: A Tudor Bedroom

tudor style woodwork

Thomas Warner received a pocketknife when he was just four years old, or so the story goes. From that moment on, Warner was a wood carver. Later in life, he would say that he “stumbled into” miniatures by adapting his life-long fondness for whittling into the more sophisticated crafting of miniatures.

In high school shop class, Warner gathered skills to make many of his own tools, including router beds, chisels, and finishing tools. And years of work as a mechanical engineer and draftsman trained him for precise scale workmanship. Warner’s English Tudor style bedroom at T/m has a carved white ceiling and dark wood walls. Unfortunately, Warner became too ill to finish the room, and fellow miniature artist William R. Robertson stepped in to add the finishing touches.

A Rare Gem: The Art Deco Jewelry Store Chandelier

art deco chandelier

Like the star atop a Christmas tree, Caeser’s laurels, or the perfect bowtie, there’s something to be said about a great “finishing touch.” In T/m’s Art Deco Jewelry Store, you might say the grand chandelier is just that. Whether in full-scale or fine-scale miniature, a jewelry store needs the best light to reveal the luster of its wares.

The multi-tiered beaded chandelier by Robert Ward contains 15,800 glass seed beads. We had an intern count them once … just kidding, the artist did! A larger spherical glass bead hangs at the bottom center. The lavish light fixture was inspired by a full-scale Art Deco chandelier located in the grand salon of Hôtel du Collectionneur in “The City of Light”: Paris.

A Rare Gem: Jewels in Art Deco Jewelry Store

art deco jewelry

Diamonds may be a girl’s best friend, but sapphires and emeralds are pretty high on the list too! In the 1920s, no self-respecting flapper would be caught dead doing the Charleston at the Cotton Club without some fabulous jewelry, whether real or fake. The selection of miniature rings, bracelets, and baubles were designed and created for the Art Deco Jewelry Store by artist Lori Ann Potts.

Much of Potts’s portfolio is inspired by vintage fashion and jewelry. In fact, she often uses antique fabrics, lace, and rhinestones in her work. Her contributions to the Art Deco Jewelry Store really hit all the right style notes! Check back here on Small Talk for more on the room’s finishing touches.

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