Small Talk Tag: Furniture

Making Mathematical Miniatures

Emily Good

According to Newton’s First Law of Motion… OK, we’ll admit we don’t exactly remember everything from physics class! Physicist-turned-miniaturist Emily Good, however, was on top of her game when she created the grouping seen here, which includes a daybed, bureau, bowl, candlestick, and an urn. It’s incredible to see Good’s mastery of a wide variety of materials, especially since she received no artistic training until discovering miniature making.

Just how did she manage to do it? T/m is fortunate to have a seven-volume catalog of Good’s work along with her personal notes and correspondences. Included in her records is a description outlining her very mathematical approach to making miniatures. For example, with the precision of, well, a mathematician, she was able to calculate the shrinkage rate for casting ceramics.

Good’s lifelong love of antiques is also evident in her notes. She meticulously documented the full-scale decorative arts objects that served as inspiration for her works, even citing what issue of Antiques magazine she found them. Perhaps most importantly, Good championed a trial and error methodology. She described in a letter that her method of wax modeling was not the sanctioned way of doing it, and a response from a jeweler who told her, “There is no right or wrong way. There are only different ways.”

Mathematical Miniatures

Emily Good

Many of the artists represented in T/m’s miniature collection had some formal artistic training in their medium, although maybe not on a fine-scale. For example, Allison Ashby and Steve Jedd worked on theatrical stage design and construction before taking up building fine-scale room settings and structures. One of the most prolific miniature makers, Emily Good, however, had a quite different training when she found the art form in the early 1970s.

Good earned an advanced degree in physics and worked as a physicist and mathematician for most of her adult life. In 1971, she discovered the art of miniatures after making a small Christmas room scene to decorate her home. With her creativity sparked, she applied her mathematical know-how and passion for creating into everything she made and eventually opened a miniatures business. Considered one of the earlier contemporary fine-scale miniature makers, Emily Good was a jack of all trades and worked in a variety of media including ceramic, metal, wood, and fibers.

Allegory of a Lullaby: The Dreamy Details

Johannes landman

Johannes Landman’s miniature Dutch cradle is entitled Allegory of a Lullaby. What exactly is an allegory? We’re glad you asked! In visual art, an allegory uses figures or characters as symbols to illustrate an overall theme, value, or moral. The allegory of Landman’s cradle illustrates themes of childhood.

All four painted panels feature cherubs in a variety of actions: happily dancing, sheltering an infant, and even recoiling in loneliness. The cradle’s headboard panel depicts a muse playing a lullaby that “rocks” the cradle.

Landman is not only a master of painting, but also of miniature woodworking. For this work, he used dogwood from his home province, British Columbia, and added 22 karat gold accents.

Allegory of a Lullaby: The Inspiration

Johannes Landman

Many of the artists represented in T/m’s fine-scale miniature collection draw inspiration from history, architecture, and the natural world. However, Johannes Landman also turned to his own personal history as inspiration for this beautiful cradle, titled Allegory of a Lullaby.

Formally, the cradle is based on a traditional Dutch cradle with four panels and delicately carved scrollwork details. Like much of his work, Landman emulated the style of the Dutch Old Masters for the allegorical scenes on each side of the cradle. Informally, the most touching source of inspiration for this work can be noted by the fact that he often calls this work “Christina’s Cradle,” in reference to his mother, who died when he was an infant. The work, which took over 1,100 hours to plan and create, is a tribute to every child who has lost a mother.

American Folk Art in Furniture

Folk art furniture

If you’ve been following our blog for a while now, you know that fine-scale miniature artists Jim Ison and Therese Bahl didn’t stop once the bones of the room were finished. They had to furnish it! For “A Tribute to the Classic Period of American Folk Art,” Ison and Bahl made sure they had plenty of seating. Ison created two spindle back chairs with tan leather seats, a Windsor chair painted green, and a Martha Washington chair based on a circa 1800 model upholstered in flowered print. Bahl made a black Hitchcock chair based on a circa 1830s Connecticut model with painted gold designs, and a pink sidechair with painted fruit, flowers, and accents.

With plenty of places to sit, Bahl added a wood swing table with a rural house scene and a black metal deed box with painted embellishments. Ison contributed a mahogany writing desk with six drawers and accessories, an octagonal-topped mahogany tilt top table based on a circa 1800 model with spade feet, and a clock for the mantle with a painted landscape and gold finials. Together, they created a yellow Boston rocker with an ocean scene and a decoratively painted side table. While this may be just another project in the life of a fine-scale miniature artist, we, for one, are exhausted!

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