Small Talk Tag: Painting

Paintings for Ants

Lorraine Loots

It’s not often that an artist gets to exhibit over 700 of his or her works in a solo gallery show. For Lorraine Loots, this feat was accomplished at Brooklyn, New York’s Three Kings Studio, in part because all of her highly detailed paintings are no larger than 1 inch by 1 inch. The 2015 gallery show, Ants in NYC, was her first international exhibition, which is pretty impressive since she hadn’t intended to become a professional artist.

Loots’s paintings began to take the spotlight back in 2013 with her Paintings for Ants series. She made a commitment to paint one tiny work for one hour per day as a way to stay in touch with her creative side while working a 9 to 5 office job. Not long after posting her work on Instagram, she began amassing followers and receiving numerous requests to purchase her tiny paintings. Today, Loots’s miniature art has been so widely featured that she has committed her work life to painting. Goes to show that sometimes you should quit your day job!
Photo: Lorraine Loots.

Framing the Miniature Madame

Johannes Landman

When we’re visiting another museum or gallery, we’ll admit it’s easy to miss what’s around the works of art: the frames. Which is a shame, because they are often works of art themselves! The same might be true of framed fine-scale miniature paintings. Upon closer inspection however, these gilded borders really shine. As we’ve discussed previously on SmallTalk, Johannes Landman is a miniaturist in a range of media. Once Landman had completed the miniature painting Madame de Pompadour, he mounted it in a custom-made frame.

To achieve fine-scale miniature accuracy, Landman used western ewe wood for its fine grain. He was able to shape the curves and tiny details of the frame using a Flexcut carving tool. Lastly, Landman gilded the wood using 24 karat gold imported from Italy. The finished product is a beautiful and classically designed frame fit for a queen … or in this case, a royal mistress!

Details in the Miniature Madame

Johannes Landman

As mentioned previously on SmallTalk, artist Johannes Landman’s painting of Madame de Pompadour replicates the 1756 portrait by François Boucher in stunning 1:12 scale. The original work was commissioned by King Louis XV of France to commemorate his mistress, Jeanne-Antoinette Poisson, being named as the queen’s lady-in-waiting. Boucher’s portrait depicts the lounging Marquise wearing a teal dress dotted with pink roses. Known as one of the best-read women of her time, she is surrounded by numerous books and writing tools.

While much of Landman’s work, including this painting, emulate masterworks down to the fabric folds and flower petals, he always leaves his own unique mark on a painting. See if you can play “Spot the Difference” between the original work and the miniature. We can spot at least three!

Painting the Miniature Madame

johannes Landmann

T/m’s miniature painting of Madame de Pompadour glows like the oil paintings of the Old Masters. The artist, Johannes Landman, has been known to label himself a perfectionist and his own “worst critic” when it comes to his art. He pays attention to every detail within his paintings to masterfully achieve the subtle color changes found in works such as Madame de Pompadour.

Although strikingly similar, the original full-scale painting by François Boucher was painted on canvas, whereas the miniature is painted on a wooden panel. Landman exclusively uses wood because he feels the texture of canvas would be too bold for 1:12 scale work. To prep the wood surface, Landman applied several layers of a white paint mixture called gesso as a primer, sanding each layer after it dried. Then, using ultra-fine 000 size brushes he layers on the oil paints until he is satisfied with the final product. Stay tuned as we explore more of the mini madame’s lovely qualities.

The gods are in the Details

johannes landman miniature paintings

What do John Hancock, Jan Van Eyck, and Johannes Landman have in common? Other than names that start with J, each of these fellows have a signature signature. In true, miniature tradition, however, it would take a trained eye to spot Landman’s tiny signature within the gold-plated brass rosette on T/m’s miniature harpsichord.

Tiny playful carvings of a mermaid and satyr flank the piece’s tiny keys. The mermaid between the posts is actually carved from a single piece. Landman paid special attention to this portion of the harpsichord, carving her head in such a way that it appears to tilt. Her tiny crown was skillfully turned on a small lathe and attached later.

Landman modeled the painting under the lid after one on a full-sized Flemish harpsichord and it is entitled Musical Contest Between Apollo and Marsyas, Judged by King Midas. The painting depicts the Greek goddess of wisdom, Athena, rejecting her flute because of the ugly face she made when playing it. A nearby satyr, Marsyas, makes her jealous by mastering the instrument and a duel between him and Apollo, the god of music, ensues. Things don’t end up well for the loser, Marsyas, who then gets turned into a wine flask—ouch.

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