Small Talk Tag: Victorian

17 Winter Street

Victorian era dollhouse

Whether it was a big, shiny bicycle or a coveted baby doll, some of the most memorable childhood toys were received at Christmas time. This dollhouse is no exception. A little girl named Mamie Burt found this dollhouse under (or perhaps near) her Christmas tree in 1875. We don’t know much about Mamie, but we can figure out a little bit about her from her dollhouse.

Based on its construction and size, the dollhouse looks to be the work of a cabinetmaker. The front of the dollhouse is removable and the front door includes a street address: 17 Winter Street. More than likely, Mamie’s parents were members of the upper class and commissioned this dollhouse for her. The furniture Mamie played with may be gone, but the house is full of interesting architectural details. Check back here at Small Talk soon for more!

Chop Shop

toy butcher shop

Victorian life was not for the faint of heart. While we may be used to ground beef or pork chops neatly packaged in Styrofoam and shrink wrap, that wasn’t always the case. Most Victorians were used to perusing dangling meat in storefront windows at their local butcher shop, just like this toy version from our collection. Although it may seem grisly as a toy, this child-sized charcuterie was meant to teach kids the grown-up skills of grocery shopping and business. What’s more, actual shops of the time period embraced their utility too, often using them as unique advertisements in store windows.

While a similar example exists in our collection, the toy butcher shop shown here is from the Victoria and Albert Museum of Childhood. Created in 1900 by the Christian Hacker Toy Company, this shop includes a friendly figurine that invites children and visitors alike to come closer and take in all of its details. Small wooden replicas of raw meat hang in the archways, and although the furniture inside appears oversized, it is all original to the piece.

Photo: Butcher Shop, c. 1900, Christian Hacker, Germany. Courtesy of the V&A Museum of Childhood.

What’s the story, wishbones?

Victorian fancies

The superstition of wishing upon a wishbone can be traced back centuries to England, Rome and even ancient times. Anyone with siblings, cousins or even a surly aunt or uncle knows it’s always a race to see who gets the honor of pulling the wishbone apart. This set of wishbone furniture must have taken some of the drama out of family holidays!

A lot of turkeys and hens were were cooked up in order to collect enough wishbones to create this unique set of dollhouse furniture. In the 19th century, it became very fashionable for women to save up everyday scrap items like bones, feathers, and quills and turn them into spectacular crafts known as Victorian fancies. Sets of furniture like this one were some of the most popular Victorian fancies to make. After all, your dollhouse family needs tables and chairs for their Thanksgiving feast too!

I’m So Fancy

Victorian Fancies

We’ve got to hand it to the Victorians: they were recycling and reusing a century before the country had heard of Al Gore or Earth Day! Everyday objects like wishbones, spools and nut shells were all given a new life as fanciful, yet functional art objects. All the rage in the 19th century, this crafty trend of turning trash into tiny treasures resulted in Victorian fancies.

While T/m’s  Victorian fancy doll isn’t exactly winning the beauty contest amongst the dolls in our collection, she certainly gets high marks for functionality and being “green.” Her body consists of a wishbone wrapped in muslin and plaid fabric scraps; and her head is painted cork. Her dress is actually intended to be used as a pen wipe, a desktop necessity in the days of the dip or nib ink pens. The tag pinned to her reads, “Once I was a wishbone, And grew upon a hen. Now I am a ‘Spinster,’ Made to wipe your pen.”

Josephine’s Mini Museum

dollhouse attic

Today, some of our favorite souvenirs come in the form of photographs. Facebook or Instagram albums full of exotic photos illustrate the story of a trip to a far-off place. But, this wasn’t always the case. In the 19th century, photography was still new and handheld cameras weren’t yet synonymous with Hawaiian shirt-clad tourists. Instead, the fashionable things to bring home were artfully crafted souvenirs such as miniature mosaics, diminutive copies of landmarks, and pocket-sized paintings.

We can safely presume that when Josephine Bird was completing finishing school in Florence, Italy, she amassed quite the collection of these souvenirs, many of which found a place in her large dollhouse’s attic (where else do you keep your nicest things!?). Some of the highlights include a soapstone Leaning Tower of Pisa, a print of a Renaissance angel in the style of Fra Angelico with a micromosaic frame, and an alabaster sculpture of the three graces. It’s quite the mini art museum!

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