Small Talk / Miniature

The Ghosts of Versailles

kevin mulvany and susie rogers ghost of versailles

Miniature artists are in the business of re-creation. Kevin Mulvany and Susie Rogers re-create historically significant European and North American buildings and their interiors. But they aren’t just in the business of re-creating walls, moldings, and mortise and tenon joints; they aim to recreate atmosphere. And when you’re talking about buildings and interiors that are hundreds of years old, the atmosphere choices are endless. Mulvany and Rogers design their interiors to feel as though someone—or some  ghost—has just left the room.

With the help of young filmmakers Max Mulvany and Sam Vincent of Surrealist Studios, the miniature artists brought to life their deserted Versailles garden pavilion to explore the effects of the slow, relentless passage of time on a once grand building. Check out The Ghosts of Versailles.

A Miniature Trip to Versailles

harry smith miniature

We like to bring back mementos from our travels: a postcard from the Grand Canyon, a souvenir spoon from Washington, D.C., a miniature Eiffel Tower from Paris. When miniature artists travel, they bring home inspiration and meticulous notes for their next project; Harry Smith’s mementos helped him craft this room in his beautiful Maine studio (with a little help from his cat).

Smith spent 6,000 hours on Louis XV’s “cabinet intérieur du Roi,” the king’s study or corner room, in the Palace of Versailles. As far as studies of the rich and famous go, Louis XV’s is one of the most luxurious. To create the room, Smith worked with many different mediums and processes. He hand-laid 2,200 individual pieces of wood for the parquet flooring. He hand-carved 3,300 gilded moldings to adorn the walls. He dressed the thirty-arm chandelier with 304 crystals. Each candle in the chandelier and throughout the room is wired to an electronic circuit board, enabling them to flicker at different speeds and intensities. And as if that wasn’t enough, Smith furnished the room with a replica of Louis’s cylinder top desk, which is inlaid with 36 different types of wood. He even carved a tiny key that sits in the desk’s keyhole!

Carving An Art Nouveau Spring

jardiniere miniature carving

Earlier, we examined Linda LaRoche’s sketches for the jardinière, which were just the first part of the process! Using the detailed drawings, LaRoche sculpted a clay model of the jardinière’s base. Sculpting the model at approximately five times the size of the final product helped her learn the design so she could more easily replicate it in 1/12th scale.

Using the knowledge she gained while working on the clay model, LaRoche carved the base out of plumwood with tools she made by hand. Each side of the base features a different animal. One side has two crabs walking toward each other; the other has a coiled sea serpent or dolphin. The delicate cabriole legs feature tiny dolphin heads. With all of these incredible details, we think planting miniature flowers in this jardinière would only be a distraction!

Art Nouveau Spring Sketches

miniature Flora Marina, Flora Exotica

We’re the first to admit that we wouldn’t even know where to begin creating something so beautifully intricate in such a small scale. Lucky for us (and for you), Linda LaRoche provided T/m with a behind the scenes look at the creation of a miniature Flora Marina, Flora Exotica.

We’ll be sharing insight into her process over the next couple of weeks, starting with this intricate sketch of the piece. First, LaRoche created a rough sketch of the object with the carvings and marquetry designs loosely drawn. Looking at all of her scaled measurements for the jardinière makes our heads spin!

Mini Mirror on the Wall

annelle ferguson william robertson mirror

Constructed with rich materials in fine detail, this miniature needlepoint mirror looks like it could play a part in a tiny version of Snow White. The mirror’s stitched frame by miniaturist Annelle Ferguson is based on traditional 17th century design and depicts a king and queen, flowers, vines, and a fawn. The tortoiseshell and boxwood outer frame was painstakingly constructed by William R. Robertson. We personally think this mirror is definitely in the running for “fairest of them all.”

How can miniature artists like Ferguson achieve such tiny needlepoint? Well, it’s simple mathematics (ok, plus a lot of talent). Miniature needlepoint or petit point takes the art form to a smaller level by using finer canvases with higher thread counts and by using specialized needles made for working on a fine scale. Sounds easy enough to start your own needlepoint project, right? Whatever you do, just be sure to finish it! Then again, maybe we should leave the stitchery up to the pros for now.

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