Small Talk / Miniature

The Magic of Color and Finish… On The Walls?

Hastrich Chest and Faux Paint Samples

While we may have gotten a time out for coloring on the walls and furniture, James Hastrich pays homage to his early-American predecessors by doing just that with each of his miniature creations. He modeled his artist’s sample box after one owned by 19th century stenciling master Moses Eaton.

These traveling artists, known as itinerant painters, journeyed from town to town with their sample box, showcasing their skills to potential patrons. In return for food and lodging, these artists painted furniture (such as this chest in the style of Rufus Porter’s folk art landscapes), walls, and even floors with stenciled patterns inspired by wallpaper—which was too expensive for many families before the Industrial Revolution standardized mass production and reduced costs.

Today, some lucky New England homeowners are still discovering original stenciled patterns beneath layers of wallpaper. Maybe someday we’ll find hidden designs in one of our miniature room settings.

Master Miniature Craftsman

Boston Beacon Hill Rooms

Frank L. Matter (1891 – 1979) was one of the forefathers of the current miniature artist movement. A WWI veteran and commercial artist for 25 years, Matter originally began making miniatures for fun. Following the lead of a fellow craftsman, he published an announcement seeking commissions. His first order came from Jack Norworth, famous vaudeville and stage star and composer, most famously known for a song sang almost every day throughout the summer: “Take Me Out to the Ball Game.” Matter completed a book of 24 watercolors for Norworth. The leather-bound, hand-stitched book was 1″ by 1 ¾” in size and the pictures themselves measured ½” to 5/8″!

During his miniature career, Matter worked in just about every medium, from paint to wood to silver, creating masterpieces in both the 1:12 scale (one inch equals one foot) and 1:48 scale (one inch equals four feet). His unique creations included furniture, china, musical instruments, toys, shoes, guns, smoking pipes, and clocks.

Matter’s greatest challenge was the Boston Beacon Hill House built for Claire Bagley Hammons of Seattle. Done in the 1:48 scale, he created almost every item in the house! A labor of love, the house took over four years to create. It currently takes up just a little bit of space in the collection at T/m.

Concluding An Art Nouveau Spring

Jardinere with Ruler

Spring turned into summer in the blink of an eye, so it’s time to wrap up our behind-the-scenes look at Linda LaRoche’s jardinière! After researching, sketching, carving, and assembling the pieces, LaRoche was almost finished with her jardinière. She faced one last challenge: it is a planter after all, and the full-scale jardinière has a watertight liner. How could LaRoche create a miniature liner?

The ingenious solution? Old paint tubes! LaRoche cut apart some of her used paint tubes and removed their inner lead liners. She flattened the liners, fitted them to the interior of the jardiniere’s basin, and voila! Every detail of the jardinière, from the precise carvings to the basin’s liner, matched the full-scale piece. After fourteen years of work, the jardinière was finally complete and ready for its place in the Masterpiece Gallery at T/m! We hope you enjoyed this journey through LaRoche’s creative process and are as inspired as we are by her ingenuity and dedication!

Take a Picture, It’ll Last Longer

Simpson Charger

Have you ever gone into an art museum and wished you could take one of the pieces home? While we may take a picture, artist LeeAnn Chellis Wessel decided to take it one step further! With advanced art degrees, Chellis Wessel knew the technical aspects of creating pottery. But it wasn’t until she began creating period appropriate ceramics as gifts to furnish her mother’s miniature Colonial Revival house that she developed a passion for replicating the old masters in one-inch scale.

Chellis Wessel’s miniature artistry thrives from an interest in comparing and contrasting the style, period, form, function, and even geographic origin of the artworks, such as this charger that she reproduced from the collection at The Nelson-Atkins Museum of Art. She enjoys musing about the work’s original home, “I’ve always been really interested in… the historical aspect of what kinds of pieces were appropriate for this type of house, style, and period.”

While The National Museum of Toys and Miniatures is closed for renovation, see this charger and more, along with some of their full-scale counterparts, on view now through February 22, 2015 at The Nelson-Atkins Museum of Art.

“The Finish and Color… is the Magic For Me”

Faux Paint Samples

Originally a maker of full-sized furniture (do you see another theme here?!), James Hastrich became engrossed in miniature making after constructing a 1/12th scale desk for a client. So much so that in 1977 he sold his furniture shop and fully devoted his time to the art of producing Early American painted furniture in fine-scale. Hastrich hand paints all of his pieces using traditional methods and materials.

The artist’s sample box is based on one owned by Moses Eaton, a traveling painter specializing in faux graining and stenciling. Unlike the DIYers with their plastic grocery bag techniques today, the decorative painters of the 18th and 19th century were highly skilled. Eaton’s work adorned the walls of homes along the East Coast between 1800 and 1830. Hastrich replicated Eaton’s wood paint samples using historical methods such as vinegar grainingsmoke graining, and brush stroke graining.

Page 1 of 612345...Last »