Small Talk / Miniature

A spot of tea, literally!

frank matter miniatures

Here at T/m we’re continually amazed by the ‘little’ details found in every nook and corner of the Boston Beacon Hill House. This picture of the Paul Revere oval fluted teapot really demonstrates the scale of this ¼” miniature.

Designed and crafted by Seattle jeweler Anchor Jenson, the teapot features engravings, a hollow spout, and hinged lid. Smaller than a pencil eraser, the teapot is accompanied by a sugar and creamer which are comparable in size to grains of rice. Now that’s small! And lest you forget, like other miniatures, this functions exactly like it’s full size counterpart. However, silver is too small to polish, so this one is made out of white gold. A spot of tea anyone?

A Game of Perfection

miniature chippendale furniture

In 18th century America, games and gambling were all the rage. This miniature game table, based off a c. 1770s Philadelphia Chippendale table, would have been perfect for tiny card games! Less than four inches tall, the table’s base was hand-carved by Wm. R. Robertson. The base, shaped from Swiss pear wood, features delicately curving ball-and-claw legs that support the functioning tilt-top surface.

Robertson’s mother, Esther Robertson, created the petit point stitched surface. Based on an Italian tapestry design, the tabletop consists of 33,000 stitches in 41 colors of silk thread. It took her three months to complete the design; when it was finished, she gave it to her son, who painstakingly attached it to the table. Esther Robertson was so nervous something would go wrong during the attachment process that she had to leave the house! Of course, the finished piece turned out beautifully, and the miniature game table is a testament to the amazing design and craftsmanship that goes into making a miniature.

Keep an Even Tempera-ment

Lee Ann Chellis-Wessel egg tempera

Topping the list of frequently asked questions about our miniature collection is, “how did they make that?!” In the summer of 2012, miniature painter Lee Ann Chellis-Wessel came to Kansas City as the museum’s first artist in residence. During her time with us, she revealed some of the secrets of painting with egg tempera in miniature (after all, like magicians, miniaturists never reveal all of their secrets.)

Surprisingly, many of the techniques involved in miniature egg tempera painting are the same as they are in full-scale. Pigments are mixed with an egg solution and are then dabbed onto a ceramic painter’s palette. Water is added to the tempera to give a range of values to the paint. The real magic happens when Chellis-Wessel uses a very fine paint brush and a steady hand to apply the paint to the board. Cross-hatching and overlaying of different paint colors give the miniature work the rich tones found in the Renaissance originals. The paintings depicted here illustrate Chellis-Wessel’s steps in reaching painted perfection.

Our Skeleton Can Dance

lloyd mccaffery

Miniature artist Lloyd McCaffery began building ship models as a twelve-year-old. And he never stopped! Trained as an artist and sculptor, he uses jeweler’s tweezers, and numerous miniature versions of planes, chisels, and custom made knives to craft his fine-scale ship models.

Like many fine-scale miniature artists, McCaffery found inspiration in a museum, though not a history or art museum but the Denver Museum of Nature and Science. While looking at the suspended skeleton of a dinosaur, McCaffery realized the similarities between the spine and ribs of a skeleton and the keel and frames of a ship. Articulation was one of the first skeletons, human or animal, which McCaffery carved. And this skeleton can dance! Each bone, or set of bones, is crafted separately out of boxwood and joined with bamboo tenons or pegs. The 1:12 scale Articulation is joined in the T/m collection by another McCaffery skeleton, a velociraptor.

Artwork for the Floor

petit point miniature rugs

Every stately New England home needs its share of sumptuous floor coverings. The Boston Beacon Hill House is no exception, even if it does measure 13 x 12 x 9 inches. Seattle needlecraft artist Ethel Forbes Harding designed and stitched the 40 count petit point rugs found gracing the floors of the minuscule mansion. Some of the carpets were even reproduced from designs found in the home of Claire Bagley Hammons, the art patron who owned the quarter scale house.

Like carpets in full-size homes, these creations add warmth and depth to each room. We wonder how long it took Mrs. Harding to complete each of the miniature floorings. That’s a lot of square feet, er, inches to cover!

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