A large portion of Lee-Ann Chellis Wessel’s work focuses on re-creating Renaissance masterpieces in miniature. Like a modern day Renaissance woman, Chellis Wessel not only excels at painting miniature renditions of egg tempera masterworks like this version of Domenico Ghirlandaio’s Giovanna degli Albizzi Tornabuoni, but also Renaissance period maiolica (or majolica or mayólica, depending on where it’s from) ceramics.
Much like her egg tempera work, Chellis Wessel’s miniature maiolica is made using the same process as full-scale pottery. First created in the ancient Middle East, maiolica is made by covering a clay vessel with a white glaze that has been made opaque by the addition of tin. The white glaze provides a blank canvas for the metallic oxide designs that are layered on top and become fused to the background during the firing process. The results are the same whether in full-scale or fine-scale miniature: a beautiful multicolored piece of pottery.